detail from Glen Huntly Portrait
Oil on Canvas
100cmH x 76cmW
2017
Excited to say that I am a finalist in this years Portia Geach Memorial Art prize.
Opening night is next Thursday at the S.H.Ervin Gallery, Sydney!!
Here is some more information re the award and the exhibition here
Delighted to have been selected as a semi finalist in the Douglas Moran National Portrait Prize 2016 with my portrait of Sam.
To see all the semi finalists work visit here
Thanks to Justine for the picture Sunday 3/4/2016
It is 7:30 am and I am lying in bed with a cup of tea, thinking about how best to bring my artwork to some sort of resolution.
Today is the last day of Art Town's two live art weekends. I will be back in Maddock Street, near Windsor station.
(Background: Art Town is an open call to artists by the people at Chapel Street Precinct to create a work that encapsulates the life, spirit, history....of the area. As artists we are given two Live Art Weekends in which we are required to work out in public, along Chapel Street, Greville Street, or any other hub pertinent to our work. Art Town invites the public to watch the process of creating; thereby creating an audience that can engage with an artist, their working space and at times, the work itself. The works are then installed at the Chapel Off Chapel Gallery for an exhibition from the 26/4/2016. It is a unique project in Melbourne. Here is a link to my interview and background in last weeks Stonnington Leader here)
After mucking around with my painting yesterday for the first hour or so, I finally gained some traction when I went back into the portrait. It takes a little time to settle into a working 'zone'.
My goal with this painting was to capture the spirit of Chapel Street life within the public space of the no. 78 tram.
The painting subject and composition is set to reflect an image on a digital device. Hence, yesterday morning I had set out to place icons within the white space below the cropped painting in the middle.
After laying out or blocking in shapes and colours to represent social media icons, I decided the piece had become unnecessarily detailed, busy and somewhat too "lollly" in its look.
I rubbed out theses icons (the beauty of oils) and left three simpler icons instead. Happier, I then decided to work up the central image and portrait itself. I had been procrastinating and obfuscating my way around the canvas.
As I am not working from any one image in particular, rather a collective memory, from experience and, of course, the ink sketches, I photographed my daughter to use as reference for the face. ( I spent last Saturday on the 78 tram between Chapel Street and North Richmond doing some ink works on paper, a terrific day)
It can be awkward enough when you are noticed drawing in the public sphere, more so on a tram as people are so close and watch your progress. When I work in a small sketchbook, it much easier to be discreet, in fact, people are generally so engrossed on their phones, iPods, iPads and laptops, that most often the public are oblivious.... So taking photos of people on trams was not something I could do. (There is quite possibly a law against it too, but I'm not sure).
I am much happier painting this way as it forces me to be more creative and imaginative. Using memory and feeling helps me to condense and simplify forms and focus on expression.
Yesterdays weather was perfect. Hopefully today, Sunday, will be similar.
Before heading out though, I need to attack the kitchen. I have been neglectful of some housekeeping in the last few days. The dishwasher smells, as no one, myself included, thought to turn it on....and so the benches are littered with dirty dishes. The small saucepan has the remnants of last nights SPC alphaghetti, the larger saucepan, pumpkin soup. Both have dried crusts around the edges and the insides, so they badly need scraping.
Toast crumbs dot the timber bench surface.
Being busy with Art Town yesterday, Saturday 9/4/2016, meant that I could not watch or listen to the footy. I missed the Coodabeens, my favourite radio show and wasn't really in a position to don my headphones whilst painting in public. People come up and like to chat, which I love.
Richmond's game against the Adelaide Crows seems to have been a good game to have missed. I will do catch up footy with Gerard (Whately) on 774 on Monday.
Time to get moving.
(I also rubbed out the last remaining icons on the bottom section of painting. Back to a white space, for now)
Exhibition will be at the Chapel Off Chapel Gallery from 26/4/2016 - 14/5/2016
@ 12 Little Chapel Street, Prahran
P.S. Thinking later about the tin of alphaghetti ..... unless I bought it accidentally, it could well have been quite a few years old, the youngest is 10....anyway, bottulism doesn't seem to have taken hold in the days since. All is good.
And....
Beds are made.
The kitchen is clean.
Yesterday was fairly productive. Finished off the portrait, worked a little bit on the hands... they still need a little bit of tidying up and definition.
There are probably figurative anomalies. I will consider which to fix and which to leave alone. I'm not keen to lose imperfections at a cost to overall expressionistic feeling.
As a whole I am reasonably satisfied that the work is coming to a conclusion... for now.
This painting will be the first in which I have painted a portrait in public. Usually, I prefer to focus on portraits without any distraction in the safety of the studio. Anyway, good, bad or otherwise, it captures the mood that I wished to create.
From a painting point of view, it was interesting to consider the effect that the outdoor light may have had. When I got the painting back into my studio on Saturday, I had planned to finish off the face there. However, the indoor lighting was too difficult to work with...I couldn't see the face the way I could see it outside. I'm wondering if the outdoor light creates a softer image?...or is my eyesight failing me?@?
I finished the day off with GB, a beer and a burrito at Fonda in Chapel Street.
I will post the finished image after the exhibition.
And, many thanks to all the people who stopped by to talk, compliment, critique, discuss, photograph and to just give their two bobs worth; to the yr 7 boy curious about my use of one point perspective, the lady with red lipstick and chihuahua who said she 'can't even draw a stick figure" and the islander man with the bomber scarf who barracks for Essendon because he likes their colours and knows '"nothing about football"!@ it was great to meet and talk with you all. Without you, there would be no inspiration to create. Thanks.
Tom at Caulfield
Oil on Canvas
2015
Family Portrait 2015
Things are constant, as usual. June is well underway even though I still feel as if the year has just started. So far this year, I have completed a couple of commissions for people. One a family portrait, a football painting and a cricket painting; commemorating significant life/club/personal milestones.
I also participated in the Glen Eira Artists Society's (GEAS) annual exhibition at the Glen Eira Town Hall, with two of my recent urban portraits. It was the society's second major exhibition, with works from many local artists hanging together in a manner that, I thought, showed a growing sense of development and confidence. Less work on display, some larger pieces as well as a variety of contemporary styles made the show a bright and inviting exhibition. I look forward to next years show and hope that we, as a group, can continue to learn and grow.
Local Girl; After School 2015
For the last few months I have been helping out on a local community art project with a small group from the GEAS. It has been alot of fun as we have been given our own space to create a work of our own in conjunction with the community groups. More to come when the project is finished.
I had a devine week away in Bali....no cooking and no housework, good company, good food as well as the odd cocktail at 5. Very little sketching was done. I hadn't been to Bali for years, so I was busy just enjoying and absorbing the atmosphere, the culture and the people. If I had had more time I would have done more in the way of sketches and watercolours. When in a new environment, I find I need time to just look and see; for some reason the compulsion to draw or create art is something that only comes after some experience or familiarity.
You have to live it before you can recreate it. It's a bit like the way we observe others endlessly taking photographs of things; sometimes you just want to say to them "put your camera down" and just take in the experience, live and savour it.; taste the experience before you record it, otherwise you don't really know what it is you are recording.
Whilst I was away a new TV was bought for the bedroom. I am not much of a TV watcher and generally have no idea what's going on in the world of television. However, this larger screen TV has replaced a tinny sounding, and tiny one that was painful to watch. The new one is fantastic and compensates for the fact that I don't like the look of it.
I've tuned in to two shows in the last week. The first being The Killing Season and the second, The Secret River. The Secret River is superb! The imagery of the Australian bush, the characters, the backing music and narrative is wonderful. I am really surprised though, that only two episodes have been made; it could easily have taken in a couple more.
This week, I am back in the studio and have cleaned it up....again. I have filled it with vases and flowers. I have moved my easel to the front of the shop. The space is filled with the perfume of jonquils.
On that note I'll end this post here and continue on in a week or two.
Work in progress
I am looking for people...kids, adults, teens...age doesn't matter who would like to be in a painting. I am trying to practise my portraiture work and to be able to execute them quickly. They will be integrated into local settings ....not formal poses.
Also football themed ones; so if you are heading off to the footy in all your teams gear; I can meet you at a station or home before you go to get a couple of quick snaps. Nothing long or protracted. The Footy Art show is coming up at the end of the season and I would like to do a couple of pieces for it in which the fans are centre of attention.
ring me on 0400444138